The SR125x represents the continuity of a Brooklyn audio tradition born in 1953, where each headphone travels from workbench to workbench until reaching its final form. Equipped with specifically tuned fourth-generation transducers, this open-back model embodies Grado’s artisanal design philosophy with a reinforced magnetic circuit, lightened voice coil, and reconfigured diaphragm.
Artisanal construction between modernity and simplicity
The SR125x retains Grado’s characteristic aesthetic: black polycarbonate housings held by adjustable metal rods and a headband covered in leatherette. This minimalist approach, far from overloaded contemporary designs, prioritizes functionality. The headphones display a contained weight of 300 grams thanks to their lightweight materials, while the size S foam ear cushions rest directly on the ears.
The open-back design, the brand’s signature, allows the 44mm transducers to breathe freely through perforated grilles. This acoustic architecture eliminates parasitic reflections and offers a naturally extended soundstage, at the expense of any sound isolation. Environmental noise passes through the headphones without obstacle, and your music escapes outward with the same ease.
The eight-conductor cable marks a notable evolution compared to previous generations. Housed in a more robust sheath, it incorporates super-annealed copper to optimize audio signal purity. This multi-conductor configuration improves control across the entire frequency spectrum, particularly in the extreme registers. The fixed cable terminates with a 3.5mm jack plug, accompanied by a gold-plated adapter to 6.35mm.
Generation X transducers: precision and velocity
The new generation X transducers constitute the technical heart of the SR125x. Grado has developed a more powerful magnetic circuit using neodymium magnets, combined with a voice coil whose effective mass has been reduced. This combination improves efficiency while reducing harmonic distortion. The lightweight polymer diaphragm has been reformulated to broaden its resonance modes while reducing their amplitude.
With a nominal impedance of 38 ohms and a sensitivity of 99.8 dB SPL for 1 mW, the SR125x proves easy to drive. Smartphones, tablets, and laptops can exploit it directly without dedicated amplification, although a quality headphone amplifier reveals more subtleties. The left and right transducers are matched with a 0.1 dB tolerance, guaranteeing precise spatial coherence.
The frequency response extends from 20 Hz to 20 kHz, covering the entire audible spectrum. Measurements reveal a slight emphasis in the upper midrange around 2 kHz, giving the headphones their distinctive sonic signature: a direct and energetic presentation that places voices and instruments in the foreground.
A sonic signature centered on the midrange
The SR125x perpetuates Grado’s sonic philosophy with a particularly expressive midrange. Female and male voices benefit from rich texture and palpable presence, as if the performers were standing in the room. Acoustic guitars reveal their harmonics with clarity, each string pluck restoring its timbral nuances.
The bass register, without reaching sub-bass depths, offers remarkable definition. Bass lines remain articulated and follow the rhythm with agility rather than mass. Jazz double bass sounds natural, drum skins retain their characteristic tension. This approach favors tonal fidelity rather than physical impact.
The treble, slightly elevated without becoming aggressive, brings air to the overall presentation. Cymbals shimmer with realism, triangles resonate with purity. The transducers’ speed allows excellent transient resolution, with each instrument attack being reproduced with temporal precision.
Evolution from previous generations
The transition from the “e” series to the “x” series brings substantial modifications. The impedance changes from 32 to 38 ohms, slightly modifying interactions with sources. The new transducers offer more fleshy and controlled bass than the SR125e, often described as more analytical. The upper midrange remains prominent but gains refinement, losing the sometimes metallic aspect of older versions.
The new headband incorporates more padding, improving comfort during extended sessions. The reinforced cable solves the fragility problems encountered on previous models, where wires could break near the housings after intensive use. These improvements address recurring criticisms while preserving the range’s sonic identity.
Compared to the entry-level SR80x, the SR125x offers a wider soundstage and better instrumental separation. Against the superior SR225x, the differences become more subtle, mainly in the extension of extremes and micro-detail resolution.
Technical specifications
Design and build
Headphone type: on-ear, open-back
Drivers: 44 mm
Earpads: size S
Headband: faux leather
Cable: 8-core
Audio performance
Frequency response: 20–20,000 Hz
SPL at 1 mW: 99.8 dB
Nominal impedance: 38 Ω
Matched drivers: 1 dB
General information
Weight: 300 g
Accessories: 6.35 mm adapter
Frequently Asked Questions
Is the SR125x suitable for mobile use?
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The SR125x’s open-back design primarily destines it for home listening. The complete absence of sound isolation makes its use in transport or noisy environments impractical. Moreover, your music will be audible to those around you, limiting its use to private spaces where this characteristic poses no problem.
What's the difference between S ear cushions and other Grado options?
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The supplied S (Small) ear cushions measure 60mm in diameter and rest on the ear. Some users prefer the L (Large) or G (Giant) ear cushions available separately, which modify the sonic signature by distancing the transducers from the ears. The L cushions notably slightly reinforce the bass and widen the soundstage.
Can the cable be replaced or modified?
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The SR125x cable is soldered directly to the transducers and is not designed to be detachable. Its replacement requires soldering skills and voids the warranty. The modding community offers various modifications, but Grado recommends keeping the original configuration to preserve the designed acoustic characteristics.
What music suits the SR125x best?
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The SR125x excels with acoustic recordings, jazz, classic rock, and vocal music where the midrange plays a central role. Electronic music enthusiasts seeking deep bass might find its reproduction too light. Its speed suits perfectly the complex passages of progressive metal or bebop.
User reviews
Vincent
I wanted to try out the Grado sound without breaking the bank, as many people had mentioned it wasn't comfortable. I was able to benefit from a second-hand purchase. I've worn these headphones for numerous hours at a time, first with an Astell SR35 (listening to Flac files and Qobuz and Spotify) and then with a Mojo and an iPhone (Qobuz HD). I'm really thrilled with this purchase; these headphones bring a smile to my face. I prefer headphone listening, so I've invested in Focal (Celestee for closed-back, Clear MG for open-back, long live private sales) and a B&W PX7 S2 for on-the-go use. And let me tell you, when you're outside in the sunshine, this is the only pair of headphones you can wear without sweating. One minor criticism: a detachable cable would be welcome, so it could be replaced with a shorter and/or more flexible one. I wholeheartedly recommend these headphones, and for once, I don't even feel the urge to upgrade them, for example to the SR325x. That's a rarity for me : ).
Comment from May 21, 2024 — Experience from May 09, 2024
Automatically translated — Show original (French)
Je voulais essayer le son Grado sans me ruiner car beaucoup de personne ont indiqué qu'il n'était pas confortable. J'ai pu bénéficier d'un achat seconde main. J'ai porté ce casque de nombreuses heures de suite, tout d'abord avec un Astell SR35 (écoute fichier Flac et Qobuz et spotify) puis avec un Mojo et un iphone (Qobuz HD). Je suis vraiment ravi de cet achat, ce casque donne le sourire.. J'ai une préférence pour l'écoute au casque, j'ai donc investi sur du Focal (Celestee pour le Fermé, Clear MG pour l'ouvert, vive les ventes privées) et un B&W PX7 S2 pour le nomade. Et bien je peux vous assurer que quand vous êtes dehors avec du soleil, c'est le seul casque que vous pouvez porter sans suer. Un petit reproche : un câble détachable serait le bienvenu afin de pouvoir le remplacer par un plus court et/ou un plus souple. Je recommande sincèrement ce casque et pour une fois je n'ai même pas envie d'aller l'upgrader, par exemple pour le SR325x, c'est rare : ).
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